Mariko (she/null) is a mixed race Black Yonsei who calls Little Tokyo home, though she's currently pursuing a joint BA/MPH at Yale in ethnic studies and public health. You can find Mariko talking, writing, and researching with USA Water Polo, Changing Wxman Collective, Discover Nikkei, and more (if she's not at Fugetsu-Do).
As Asian Americans, we too can lose sight of music as a border-defying site of home-making. Too often, Asian American artists and musicians are embroiled in Black cultural appropriation just to shed these ornamentations later in favor of another aesthetic. So how do we make a better home for each other in our music?
Land and micromanagement and precision agriculture techniques are perceived as innovations by environmentalists in the late 20th century. Actually, Japanese American farmers implemented these techniques in the 1900s with remarkable success...until racism intervened.
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